Academic, artistic and cultural :: Constructive imaginings of the discordant . Making heritage of urban movements . Hajde
The Garden of (not) Forgetting :: Reflection . Nevşünema . Memory of a place, topography of destruction . Many places on the trail of a place . Mehpare's herbarium . Whispers' garden .
Last year's herbarium . Last year's catalogue . The pool . Seeds from the Earth . Remembering exercises . A sequence from a garden; whispers, seeds, traces
Spatial design :: Winter Garden . Visiting Scholars and Guest Artist Offices . Reading Room . Imaginable Guidelines
Plankton Project :: durak Ovacık . gölge Seferihisar
Visual design :: The Garden of (not) Forgetting . Hajde . Aidiyet [production] . Aidiyet [visual]
Study experience :: Sound Topography . Observers' Route . Loafer Cinema . All that is Solid . Summer Homes: Claiming the Coast.
LAST YEAR'S HERBARIUM
type artistic research, installation
role researcher, artist and curator
team with Eda Aslan
produced as part of The Garden of (not) Forgetting project
presented at
DEPO, İstanbul, 2021
2017, after the many attempts to enter the herbarium of Alfred Heilbronn Botanical Garden and several rejections, the idea of creating an alternative herbarium came into life. Like the botanists wandering around the territories to observe the floral existences, we wandered around the Botanical Garden repetitively to explore and document the unique life that evolved in the limited territory of the garden that is under the risk of demolishment. However, as a reaction to the rejections, we had with a highlight of not conducting a "scientific" practice, the herbarium of our practice rejected the rules and formations of the scientific herbarium. The hierarchy inherent to taxonomy and classification is rejected for establishing an alternative herbarium where one can see anonymous pieces from the integrity of Botanical Garden plants about to be forgotten.
The reinterpretation of botanical practice inherent to our practice to maintain the memory of the garden and the plant life established there raised various questions on the colonial roots of botanical practices and nurture a discussion on decolonisation of the practices of collecting, gathering and assembling.
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